Not my paintings, all rights go to their respective owners.
This painting is "Impression, Sunrise" by Claude Monet, created in 1872. It depicts a hazy harbor scene at sunrise in Le Havre, France, with a vivid red sun reflecting on the water. Small boats and faint silhouettes of ships and cranes are visible in the misty background. The loose brushstrokes and emphasis on light and atmosphere mark it as a foundational work of the Impressionist movement. It is housed in the Musée Marmottan Monet in Paris.
This painting is "The Sun" by Edvard Munch, created between 1909 and 1911. It depicts a powerful, burning sun rising over a rugged Norwegian archipelago, bathing the landscape in vibrant light. Thick layers of bright, strong colors create a sense of intense warmth and energy, with the sun's rays extending across the ocean and over the cliffs. Unlike his darker works, "The Sun" embodies themes of life, creativity, hope, and enlightenment, symbolizing healing and a return to light. It was the centerpiece of a series of murals for the Aula (assembly hall) of the University of Oslo, where it remains housed today.
This illustration was created by Jean Giraud, also known as Moebius, for a French edition of Dante Alighieri's Paradiso (part of The Divine Comedy) in 1999, published by Edizioni Nuages. It depicts a scene from Dante's journey through Heaven, characterized by Moebius's distinctive style of dreamlike, ethereal landscapes and often intricate architectural elements. The illustration likely features celestial beings, glowing forms, and geometric patterns, conveying a sense of divine harmony and the vastness of the cosmos, reflecting the spiritual and philosophical themes of Paradiso. His visionary art brings a unique blend of science fiction and fantasy aesthetics to this classic literary work.
This painting is "The Tortoise Trainer" by Osman Hamdi Bey, created in 1906 (with a second version in 1907). It depicts an elderly man in traditional Ottoman religious attire, holding a ney flute and with a nakkare drum on his back, attempting to train a group of tortoises who seem more interested in eating lettuce on the floor. The scene is set within the dilapidated upper room of the Green Mosque in Bursa. Often interpreted as a satire on the slow and ineffective attempts to reform the declining Ottoman Empire, the work uses detailed, naturalistic brushstrokes. This masterpiece is housed in the Pera Museum in Istanbul, Turkey.
This painting is "The Doomed City" by Nicholas Roerich, created in 1914. It depicts an ethereal and ominous mythological scene, often showing a serpent-like creature menacing a city built in ancient architectural styles, set against a backdrop of undulating hills and mystical hues of purple and blue. Alternatively, it can depict a silhouetted castle amid shadowy hills, set against a softly illuminated sky, creating a sense of foreboding. The use of mythological and allegorical themes and muted, cool colors emphasizes the precarious nature of human constructs and the fate of civilizations. This work belongs to the Symbolism art movement and is housed in the Omsk Regional Museum of Fine Arts (Vrubel Museum) in Omsk, Russia.
This artwork is "The Little Owl" by Albrecht Dürer, created in 1508. It is a detailed watercolor and gouache painting of a small owl, likely a Northern Saw-whet Owl, perched with a direct gaze. The piece showcases Dürer's mastery of naturalism, with meticulous attention to the owl's feathers, texture, and shading. The date "1508" and Dürer's monogram are visible on the artwork. It is housed in the Albertina Museum in Vienna, Austria.
